Vermont Symphony Orchestra

Holiday Pops – Paramount Theatre

About the Program

VSO’s second Music Director candidate, Peter Askim, conducts the orchestra for our Holiday Pops series, joined by indie-pop/opera soprano Melissa Wimbish. The program features favorites like Rocket Sleigh, White Christmas, and Sleigh Ride, as well as music from the Nutcracker and Polar Express suites, contemplative and festive carols, and a dash of warm-weather cheer from Brazil. It’s VSO’s treasured way to kick off the holiday season!


A limited number of tickets for those 12 and under are available for FREE by contacting The Paramount Theatre Box Office directly. This offer is not available online. Please call 802-775-0903. 

Submit a holiday wish letter to enter our Children’s Holiday Letter Writing Campaign! Select letters will be read from the stage and each selected letter writer will receive two FREE tickets to the Holiday Pops concert of their choice as well as a special gift from the VSO.

For venue accessibility information, please contact Grace Spain at 802-864-5741 or

For the safety of our artists, venue staff and our community as a whole, we are requiring all patrons 12 and older to present proof of vaccination (original document or photograph) or negative results of a COVID-19 PRC test (not antibody test) administered within 72 hours of admittance to events. In addition, masks are required to be worn at all times while at the venue. You may lower your mask when eating or drinking only, regardless of your vaccination status. For more information click here: Seating Chart & Policies | Paramount Theatre (

Watch from home!

Enjoy the VSO from the comfort of your own home. Starting December 25th, the Holiday Pops concert will begin streaming on our website and will be available for one month. Click here to purchase tickets to the digitally presented version of our show.

About Peter Askim

Active as a composer, conductor and bassist, Peter Askim is the Artistic Director of The Next Festival of Emerging Artists and the conductor of the Raleigh Civic Symphony and Chamber Orchestra, as well as Director of Orchestral Activities at North Carolina State University.

He was previously Music Director and Composer-in-Residence of the Idyllwild Arts Academy Orchestra. He has also been a member of the Honolulu Symphony Orchestra and served on the faculty of the University of Hawaii-Manoa, where he directed the Contemporary Music Ensemble and taught theory and composition.

He has premiered numerous works, including works by composers Richard Danielpour, Nico Muhly, Aaron Jay Kernis and Christopher Theofanidis, and has collaborated with such artists as the Miró String Quartet, Matt Haimovitz, Vijay Iyer, Jeffrey Zeigler, Nadia Sirota, and Sō Percussion. As a composer, he has been called a “Modern Master” by The Stradand has had commissions and performances from such groups as the Tokyo Symphony Orchestra, the Honolulu Symphony, Cantus Ansambl Zagreb and the American Viola Society, as well as by performers such as ETHEL, cellist Jeffrey Zeigler, flutist/conductor Ransom Wilson and violinist Timothy Fain.

Mr. Askim is the founder and Artistic Director of The Next Festival of Emerging Artists, a summer festival dedicated to cultivating the next generation of performers and composers.

About Melissa Wimbish

Melissa has established herself as an in-demand interpreter of modern opera and contemporary work with dozens of premiere credits. She is known for her chameleon-like vocal talent, which spans traditional, contemporary, and popular styles.

In the world-premiere of JosephineThe Washington Post gushed, “… the afternoon belonged to Melissa Wimbish, who was creating the role of Josephine Baker in this world-premiere … Beautifully prepared, vocally stunning, and theatrically riveting, Wimbish effortlessly held the audience in her hand throughout this one-woman show.” The New York Times wrote of her “show-stealing turn as the hormonal pageboy Cherubino” in OnSite Opera’s revival of The Marriage of Figaro by Marcos Portugal. As Cunegonde, she was praised by The Boulder Daily Camera as “simply incredible … the highlight of the entire evening.” In the role of Juliette, Melissa was “ … especially captivating at the onset performing the reveling ‘Je veux vivre’ complete with impressive vocal runs and coquettish mannerisms” as noted by DC Metro Theater Arts.

Melissa made her Carnegie Hall solo recital debut in 2014 featuring a program of all-contemporary American art song and a world-premiere of Jessica Meyer’s song cycle Space in Chains. In 2017, she made a rousing solo debut in György Ligeti’s Mysteries of the Macabre with the Baltimore Symphony. At the Kennedy Center, she was a featured soloist in A Midsummer Night’s Dream with Washington Ballet. Career highlights include Nimue in Camelot with Shakespeare Theatre Company, Carmina Burana with Washington Ballet, Candide with Baltimore Symphony, and Mozart’s Requiem with Richmond Symphony. She has performed with American Opera Projects, Baltimore Concert Opera, Opera Modérne, Annapolis Opera, Opera Delaware, Single Carrot Theatre, The Spirituals Project, Vocal Arts DC, the Denver Philharmonic, the National Philharmonic, American Modern Ensemble, Concert Artists of Baltimore, Manchester Choral Society, Maryland Choral Society, The Occasional Symphony, and Young Artists of America.

At the NATS Artist Award (NATSAA) Competition, Melissa was awarded First Place by the National Association of Teachers of Singing; one of the top national honors for classical singers. Other awards include the Franco-American Award, Vocal Arts DC Discovery Series Competition, Denver Philharmonic Concerto Competition, Kennett Square Competition, and the Hilda Perl & Douglas Goodwin Award for Opera.